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APOLOGIES:
I've learned a great deal
about the diverse forms of RSW Jacobean
in my lifetime of collecting it, but
confess that I am woefully lacking in
knowledge in two particular areas:
1. the correct name of
every flower used in decorating
2. the correct name for
each pottery shape (and there are many!)
Please forgive my
presumption in proposing to educate you
about RSWJ --- when I am far from
knowledgeable in these areas.
I
wholeheartedly welcome your feedback in
identifying anything that I have
misidentified. Sometimes the Colonies
deviate from the Mother Land in
vocabulary!
Just the FAQs / basic concepts for the
RSWJ collector
IT'S NOT JUST A VASE!
Having met mostly
vase-type pieces of RSWJ in my early
collecting days (long before the WW Web
brought the world to my doorstep), I
cannot describe the elation I felt when
I noticed a set of 4 RSWJ tea cups
and saucers in a Toronto
Harbourfront antique shop window in the
1980s.
If there were teacups,
there had to be teapots, didn't there?
That discovery indicated that RSWJ were
not solely decorative, but had
utilitarian context as well. And the
rest is history---prompting my assertion
that "poor man's Moorcroft" made a poor
woman out of me!
It was a long time till I
came upon my first teapot, but you can
see I did, along with other teatime
essentials. I've never seen another cup
and saucer, though.
IT'S NOT ALL CLEMATIS!
Authentic pattern names
are rare. I am aware of only THREE: VINE
,ROSA and TWILOCK. I've devised some
descriptive titles over the years, and
those, along with the pattern number
painted on the base of most of the
pieces, are my reference points in
sharing the images on this site.
IT'S BLUE NOT BLACK!
The majority of pieces are
of terra cotta / earthenware, hand painted
with a glorious palette of glazes on a
VERY deep cobalt blue ground, often
mistaken for black. I have never seen
RSWJ with a black (back)ground, though pieces
with rose, gold, brown, aqua, pale
yellow, and white backgrounds are found
in my collection.
IT'S NOT MOORCROFT!
Colclough & Co. and
Moorcroft were neighbours in the
Staffordshire "Potteries", at the same
time; some of their wares were similar
but not the same. Moorcroft is still
producing its expensive wares; Colclough
& Co. stopped production of Stanley Ware
in 1928. The respective clay used by
each pottery is different, but the
motifs and palettes are similar. The
quality of the glazes differs, but the
quality of the design and decoration are
similar. Promoted as "poor man's
Moorcroft" in its day, you'll see that
comparison still used today by some in
describing RSWJ. I disagree.
Like Moorcroft, Colclough/Stanley did produce stunning tube-lined
pieces, early in the 20th century.
Though their art pottery production
period(1903 to 1928) was very short for
Stanley, their line reflected Art
Nouveau, Arts and Crafts and Art Deco
influences as well as a need to compete
commercially. I believe some of the
same designers worked for other
companies in the Potteries, and have
some pieces to illustrate that. Forensic
project for the future!
IT'S NOT FOUND ONLY IN
BRITAIN!
When the online world / eBay
stepped through my front door, it
brought me Stanley from each of the
British Isles, France, Australia, New
Zealand, many American states and
territories and most Canadian
provinces. My family visits to Ottawa,
Toronto and Kingston weren't complete
without rooting out some Stanley. My
sincere thanks to those sellers who
shared their Stanley treasures and
relevant information with me. I have met
some very interesting folks in my
pursuit of the handsome Stan. This
collection would not exist without you!
IT MIGHT NOT BE STANLEY!
Other English pottery
appears to be a Stanley clone: DECORO, a
similar palette but different motifs;
FORRESTER " " WARE, and
collection item #136 (stamped PHOENIX
WARE) which differs only in the
shape of the jug & a somewhat looser
decorative hand. It is otherwise an
identical match. I pride myself on
my ability to sniff out Stanley Ware in
countless hidden places, but that one
fooled me! The gorgeous tube-lined small
jug #221 appears to be 100% RSWJ but
has no markings to prove that. It was
sold to me by a Charlotte Rhead
collector who insisted it was real Rhead.
I argued as adamantly that it is RSWJ. |